Five years after the Shibuya riots, the Tribes of Tokyo have been enjoying a period of relative peace, until Kim and two other members of the Musashino Saru intrude on the territory of the Wu-Ronz in Bukuro. Mera, the leader of Wu-Ronz kills the three Saru, under the assumption that they were members of the Shibuya Saru. Two days later, after searching for who killed his friends, Musashino Saru member Kai runs into Mera. Old friends in their high school days, the two get into a confrontation that ends up leaving Tera, the leader of Musashino Saru, dead and setting the stage for violence between the Tribes.

Zombie Ass: The Toilet of the Dead: Horror film, with elements of black humor. The whole plot revolves around the ass. A group of teenagers go camping in the woods. They find themselves in deep trouble, when poop covered zombies that are controlled by parasites come out to attack them. Wracked with guilt over the suicide of her bullied sister, young karate student Megumi accompanies four older friends on a trip into the woods: smart girl Aya, her druggie boyfriend Také, full-figured model Maki, and nerdy Naoi. Things start to go badly when Maki finds a parasitical worm inside a fish - and wolfs it down, in the hope that it will keep her skinny. Her stomach later feels horrible and she relieves herself in an outhouse. The parasitic worm she ate had apparently laid eggs in her stomach and came out of in her diarrhea attack. Soon after, they are attacked by a crowd of poop-covered undead who emerge from the outhouse toilet Maki used. The group seeks refuge in the home of the strange Dr. Tanaka, who conducts experiments on the zombies and the parasites ... and who has another fate in mind for the five strangers. Can Megumi's karate help them escape, or will she have to rely on the liberating power of flatulence to defeat her demented captor? 『片腕マシンガール』『電人ザボーガー』などでカルト的人気を誇る井口昇監督がメガホンを取り、前人未到の領域に踏み込んだ究極のゾンビ映画。寄生虫を探しにキャンプに出掛けた若者たちが、人里離れた山奥でゾン…

After receiving a cosmic blast while masturbating, a virginal teenager gains psychic powers and joins a group of ESP virgins in order to defend the world from evil psychics. I am psychic! You are psychic! Everyone is psychic... but still virgin! Full of laughs and through the eyes of a virgin teenager who wishes to become a hero by saving the world with his suddenly acquired psychic power. Based on the comic "Minna! Esper Dayo!" by Kiminori Wakasugi. A high-school student Yoshiro has never got a spotlight in his life and spends his days aimlessly. What only shines in his life is a girl Sae at his school. Even if being completely disregarded by her, he still dreams of becoming her true love in the future. One day, he finds himself having a mind-reading psychic power. As he looks around, there seem more psychics born in the city, and somehow they are all virgins! One uses his psychokinetic power to fulfill his sexual desire or turns into a flasher using teleportation ability... On the arrival of the psychics like Yoshiro, the city gets gradually infested with the erotic terrorism evoked by a mysterious group. Knowing he has never got any attention from the girl of his dreams, Yoshiro determines to use his power to save the world from this steamy chaos and show off what he has got to the love of his life!

A high-school girl acquires the ability to time travel. A girl travels back in time in order to save her dying mother in this Japanese sci-fi adventure directed by Masaaki Taniguchi. With her scientist mother Kazuko (Narumi Yasuda) in a coma after being knocked down in a car accident, high school student Akira Yoshiyama (Riisa Naka) decides to use her mother's research into time travel to journey back to the 1970s. Once there, Akira searches to find her mother's first true love and bring him back to the present, where she hopes his presence will bring Kazuko out of her coma. Unfortunately for Akira, she soon discovers that her presence in the past has unforeseen consequences for her future.

During the fervently nationalist months leading up to World War II, a rebellious teenager is transferred to a new primary school in a small Inland Sea town. He vies with the school’s reigning bully, who takes a romantic interest in his older stepsister. When they learn she’s going to be sold to a brothel to pay off her father’s debts, they form an uneasy alliance to free her. With surprising moments of caricature and slapstick, Obayashi celebrates the anarchic world of adolescence while also satirizing adult hypocrisy and conformism.

Having lost both his mother and father, an 11-year-old city boy is sent to live with his grandparents in a small seaside village. Feeling responsible for his father's accidental death, he becomes increasingly introverted and finds himself unable to make friends with the local kids. Then an eccentric elderly doctor takes him under his wing, and tells him of an ancient ceremony where a sacred flame must be brought back from a remote island by a lone swimmer.

Shoko Kimura’s Koi ni Itaru Yamai begins well enough with beyond precocious high schooler Tsubara (Miwako Wagatsuma) seducing her nerdy teacher Madoka (Youichiro Saitou). Through their impetuous coupling on a pile of exam papers, somehow their sex organs get transposed. It’s at this very moment where the film not only begins to fall apart, but where director Kimura begins to show her retrograde attitudes and views about male/female sexuality and roles. The confused couple goes to a cabin retreat to figure out things. Tsubara’s goofy-fascinated by her new rod, while Madoka retches every time the idea of fucking comes up. Somewhere along the line, justified by some idea of counterpoint, another young high school couple En (Aimi Satsukawa) and Maru (Shouta Sometani) join up to cavort and work out their own issues of sexuality. Most noticeably absent from the meandering speaking that poses as dialogue is the issue of a teacher and teenage student getting it on. Zero. Despite a good initial inspiration, Kimura remains pretty fucked up on issues regarding sex and gender.

A teenage goldsmith with a dark past tragically falls in love with a young nude model. Hatsukoi Jigokuhen (初恋・地獄篇) is a 1968 film directed by Susumu Hani and co-scripted by him with Shūji Terayama. It is one of Hani's best known works. In the West, it is known as Nanami, The Inferno of First Love or as Nanami, First Love. The movie focuses on the pain of emerging from adolescence. The film was nominated for the Golden Bear award at the 18th Berlin International Film Festival in 1968. Many film scholars consider this work to be one of Hani's major achievements, while others judge the film to be commercial and exploitive.

Ami, raised in China, is a high school student who practices Chinese martial arts and swimming. She comes back to Japan because of her mother's remarriage. Hiroshi, a careless college student, likes to take women’s pictures secretly. Hiroshi goes to a girls swimming pool locker room to take photos with his friend, Takimoto. When he gets home, Hiroshi sees Ami whom he saw at the locker room. Ami's mother and Hiroshi's father gets married and they go on a honeymoon, leaving the two alone in the house. Whenever Hiroshi tries to get near Ami, her martial arts prevents him but gradually they become closer…

Brothers Zenta and Sanpei carelessly wile their summer away in the countryside, bullying neighbor Kintaro and fighting over who gets to deliver their father's daily lunchbox. Sunny days come to an abrupt end when their father is accused of forging documents and put in jail. While his mother looks for work, Sanpei is sent away to stay with his father's retired schoolmaster, but he can't stop getting into trouble.